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Copyright

FAQ on referral of ACTA to European Court of Justice

23 February, 2012
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This article is also available in:
Deutsch: Häufig gestellte Fragen zur Vorlage des ACTA-Abkommens beim Europäis...


Following the recent decision of the European Commission to refer the draft Anti-Counterfeiting Trade Agreement (ACTA) to the European Court of Justice, Access and EDRi have prepared this short FAQ to explain this process.

SABAM vs Netlog - another important ruling for fundamental rights

16 February, 2012
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SABAM (Société Belge des Auteurs, Compositeurs et Editeurs), the Belgian collecting society for music royalties, is in the spotlight again. A few months after the Scarlet/SABAM case, the Court of Justice of the European Union (CJEU) has released a new decision on the legality of filtering systems on the Internet, this time with regard to filtering of content stored on web services.

Today, the Court of Justice of the European Union (CJEU) ruled that a social network “cannot be obliged to install a general filtering system, covering all its users, in order to prevent the unlawful use of musical and audio-visual work”.

Hadopi takes the final steps towards cutting Internet access

15 February, 2012
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This article is also available in:
Deutsch: Hadopi setzt letzten Schritt zur Sperre von Internetzugängen


French authority Hadopi announced on 13 February 2012 that its Commission for the Protection of Rights had sent the first complaints to court against Internet users for illegal downloading of files as the last stage in its three-strike system.

Since November 2010, more than 800 000 French Internet users have received e-mail alerts that they were suspected of illegal downloading of copyrighted material.

EC "Roadmap" for review of the IPR Enforcement Directive

15 February, 2012
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This article is also available in:
Deutsch: Roadmap der Kommission für die Überprüfung der Urheberrechtsrichtli...


The European Commission recently published a "roadmap" to the review of the Directive on Intellectual Property Enforcement (2004/48/EC). As it is becoming traditional, the Commission neatly mixes up all kinds of infringements, from dangerous fake medicines to illegal downloads and seeks a "one size fits all" solution.

10 European Commission myths about ACTA

8 February, 2012
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1. This is only about large-scale infringements
a. Criminal sanctions

There is no minimum-level of infringement that could be criminalised by ACTA. It requires parties to, at least, criminalise infringements which are for direct economic advantage, direct commercial advantage, indirect economic advantage, indirect commercial advantage or “aiding and abetting” such an offence.

In the absence of a definition of any these five activities, the European Commission has no way of knowing whether only large-scale infringements will be covered.

ENDitorial: Copyright vs Public Domain-copyright as a barrier to culture?

18 January, 2012
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This article is also available in:
Deutsch: ENDitorial: Urheberrechte vs Gemeinfreiheit als Kulturhindernis?


"The book, as a book, belongs to the author, but as thought it belongs -- the word is not too big -- to the human species. Any intelligent being has a right to it.

The US pressure on Spain to censor the Internet has paid off

18 January, 2012
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This article is also available in:
Deutsch: Internetzensur: Einflussnahme der USA auf Spanien macht sich bezahlt


The US has continued to pressure Spain since 2008 to adopt measures against users allegedly illegally downloading copyrighted music and movies from file-sharing networks.

ENDitorial: Copyright combinatronics

16 November, 2011
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This article is also available in:
Deutsch: ENDitorial: Urheberrechts-Kombinatorik


Although the creation of the single market has been the primary focus of the European Union for decades, it often seems that for every step forward it takes two back. In that respect it's often rather interesting to look at the mathematics as they play out in the different directives that come out of Brussels.

The EU Copyright Directive outlines 21 different optional exceptions or limitations to the right of reproduction of copyrighted works.

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